This is going to make me sick.

1 Comment
Politics

Oh man, I’m almost afraid to say this.

Ok, here we go.

*deep breath*

I am…in agreement…with the Republicans…on Barack Obama’s winning the Nobel Peace Prize.

*shudder*

Sorry.

But really, it does seem a little premature. So far, aside from the achievement of restoring international respect to the office of US President, Obama has done very little to aid or to damage world peace. The only examples on either side of the fence I can think of are the closing of the Guantanamo Bay prison and the escalation of the war in Afghanistan.

His greatest contribution to getting the prize seems to be not being George W. Bush (a tweet is going around at the moment that reads “All of the world’s population to be rewarded with Nobel Peace Prize in 2010 because we’re not George W Bush either.” (via @loveandgarbage), and it should be remembered that Bush had started a war by this stage of his first term.

It’s true, as the awarding committee has said, that he possesses a “vision of and work for a world without nuclear weapons,” which is both noteworthy and good, and that

Obama has as President created a new climate in international politics. Multilateral diplomacy has regained a central position, with emphasis on the role that the United Nations and other international institutions can play. Dialogue and negotiations are preferred as instruments for resolving even the most difficult international conflicts

but this was largely true in the pre-Bush era as well.

I don’t really think that a strong case can be made for Barack Obama deserving a Nobel Peace Prize. At least not yet. I think that his ideals are certainly inclined in the direction of world peace, and he clearly has made diplomacy the most important cause of his international relations, but – aside from talk about it – he hasn’t really done anything yet. He’s only been in office for nine months.

I think he should turn the prize down at this juncture. Perhaps he will receive it again at a more deserving future juncture.

Perhaps also, the Nobel committee are merely trying to avoid another incident like Jimmy Carter’s award, which he received decades after he earned it, or merely demonstrate that the international community cannot afford another Bush-esque catastrophe, no matter how much the Palinites want one.

Beethoven: The Complete Symphonies – The Academy of Ancient Music, Cristopher Hogwood

2 Comments
Arts, Music, Reviews

Much to my surprise recently, my list of unlistened-to podcasts jumped from about four to sixteen. On investigation, I discovered that the concert podcast Beethoven | Deutsche Welle – unupdated since about this time last year, suddenly released a glut of new episodes. Many treasures were to be found, including a series of concerts called ‘The Path to Democracy’, incorporating just about every style of music you can think of.

What led me (in my usual roundabout way of being led anywhere) to write this review, though, was the last nine episodes: interpretations by Estonian conductor Paavo Jarvi of Beethoven’s nine symphonies. Only one movement of each is included, but it was more than enough to spur me to dig out my favourite set of them.

That set, as you’ve probably guessed, is the one mentioned above: the complete symphonies recorded by the Academy of Ancient Music, conducted by Cristopher Hogwood. As it turns out, I had forgotten two things: the first is how much I love Beethoven’s symphonies. During my forty-minute walk home from work, I listened through number five (the timing was just about perfect), and was unable to keep the tears from my eyes in the first movement, or the glee from my face in the fourth. Yes, I must have looked pretty strange, but it’s pretty late when I’m walking home, and I don’t think too many people saw me.

The second is how much I love this particular recording of Beethoven’s symphonies. Anyone who knows me knows I’m not a puritan or stickler for “correct” performance – I couldn’t like Glenn Gould as much as I do if I were – but I do admit a fondness for period instruments, and particularly for period orchestras. Throughout this recording, the AAM are on top form. The relatively small size of this orchestra compared to modern ensembles means that they are capable of a nimbleness and clarity that you don’t get with bigger groups, but in the slow sections as well the playing is delicate and measured.

The use of natural brass instruments also means the playing is more dissonant than we expect from modern orchestras. This affects the music throughout, but is most striking in rendering the opening of the fourth movement of the ninth symphony – that famous towering dissonance – as startling as it must have been at the première in 1824.

Some of the symphonies feature passages under slight alteration (according to the latest research), so there are surprises in store even for people very familiar with the symphonies. Either way, whether you’ve heard them once or a thousand times, go and buy this set. Today.

If you’ve never heard them, then buy it faster.

iTunes, Amazon US, Amazon UK.

Lisbon 2 – Why I’m voting yes.

1 Comment
Politics

[I originally wrote this blog on Tuesday the 29th of September, but for some reason couldn't get it to post.]

This advertisement appeared in today’s Irish Times, and presumably in the other national papers as well.

I’ll be voting yes to the treaty. That doesn’t change the fact that I think Michael O’Leary, the head of Ryanair, is a despicable human being. As with so much of what he says, this ad will only have the effect of making the people who already agree with him laugh.

A friend, who is supporting the no side of the campaign, responded to my posting this picture on Twitter by remarking that a yes vote will have the effect of endorsing by proxy those who support it, including our present incompetent government and O’Leary. Though this makes little sense – we can (and, as usual, probably won’t) express our dissatisfaction in the next general election – even if it were true then the same could be said of the no side. As much of the no side is currently made up of one almost-equally-obnoxious businessman (Declan Ganley) with strong anti-European sentiments, a far-right Christian “values” group called Cóir and a political party (Sinn Féin) which until recently supported terrorism and had its own private army, I think I’d rather throw my lot in with the yes side, even before it comes to reasons for actually supporting the treaty.

As to why I support the treaty, much of its work is in sorting out legislative processes which are messy or don’t adequately do the job any more. This is valuable, but there are three important points which would have won me to it easily.

The first is that it contains a provision for dealing with global warming. It’s obvious to anyone who’s looked at the data that climate change is one of the most important, if not the most important, issues facing the world at the moment. While I’m aware that resolutions are one thing while action is another, a resolution is still better than none. I think that the governments of the world are finally starting to react to what scientists have been telling them for decades, and I would very much like for Europe to be a leader in dealing with the problem. (Admittedly, our overall record is still pretty good compared with places like the US and China, but urgent action is nonetheless required.)

The second is the aim to reduce poverty, with the lofty (and sadly probably inachievable) goal attached of eradicating it entirely. The treaty provides legal groundwork for humanitarian aid outside the EU.

Lastly, the Citizen’s Initiative is a beautiful aspect of the treaty, which allows the citizens of Europe to bring matters directly to the table of the European Commission (the body which proposes legislation), if they can provide a petition with a million signatures from across the Union – a small figure given the overall population. While the EU’s power to influence laws is limited by each of the countries within it, this should give a much stronger voice to minorities all across Europe.

I’m also vaguely curious as to why I’ve heard so little about the Irish commissioner this time around. Last time we voted on this treaty, one of the major (and few factual) bones of contention for the no side was that Ireland wouldn’t be represented in the European Commission 100% of the time. The treaty has now been modified so that the Commission will be represented by all member states all of the time. But where the no side – last year alive with the chant of “keep our commissioner!” has unterstandably shut the hell up about it, I’m more than a little surprised that the yes side hasn’t taken up the same rallying call.

Oh well. The referendum is tomorrow We shall see how things progress.

Diablo Swing Orchestra: The Butcher’s Ballroom

No Comments
Music, Reviews

I never really, officially, stopped listening to heavy metal, at least not on purpose. I kind of drifted away from it as I guess a lot of people do. I’m fairly sure that there are a lot of people I know who will think I’ve never listened to “proper” metal, but it doesn’t really matter. I try to listen to good music and never mind the genre.

“Never mind the genre” is actually a very good way to introduce this album. While it is largely a metal album, it incorporates elements of swing, opera, flamenco, free jazz, electronica and pretty much anything else you care to mention.The instrumental line-up is also bewilderingly eclectic, incorporating the typical metal core of guitars and drums with an operatic lead vocalist, but also featuring at various points trumpet, saxophone, acoustic guitar, string quartet, flute, piano and didgeridoo. Yes, didgeridoo.

The first track, the wonderfully-titled Balrog Boogie, begins with a typical, fairly straightforward jazz rhythm on cymbal, followed by an equally typical jazzy riff, but played on fairly atypical bass guitar. Guitars, saxophones, cello and metally growling follow, and this sets the tone for the rest of the album.

Though such a wide range of styles could be in danger of becoming unwieldy, it generally feels like clever, involved metal more than anything else. The structures, breaks and most of the riffs are very metal, albeit coloured by the other genres. The two “softer” tracks (one is a piano solo, and the other – remarkably – a song for soprano and flamenco guitar) are placed at appropriate points in the album to relieve the assault of sound.

But it gets even better – the album is available for free, from Jamendo. While I know it won’t be for everyone, I really think, especially if you’re into rock music, that this album will be well worth the download.

In short, this is one of the most surprising albums I’ve ever heard. The band seem almost determined to show their incorporation of a staggeringly wide variety of styles, within the overall metal genre. I won’t spoil any of the surprises, but suffice it to say that the album is well worth it, especially at the price.

Download it from here. (I found this album on the excellent blog Free Albums Galore.)

Classical Introductions Episode 8: Bach – Brandenburg Concerto No. 2 in F

New Podcast

Episode 9 of Classical Introductions features the second of Bach’s Brandenburg Concertos, in F Major. The recording I used for this podcast can be downloaded from here.

Though the second of the Brandenburg Concertos features is written as a concerto for trumpet, flute, oboe and violin with orchestral accompaniment, it becomes almost a trumpet concerto at parts, and contains some of the most difficult writing in the whole trumpet repertoire. Like the other Brandenburg concertos, the outer movements show brightness and joy, but a more melancholy second movement brings balance and contrast to the piece.

I mentioned in the course of the podcast Aaron Copland’s excellent book What to Listen For in Music, and Amazon links are provided here (US and UK).

The recording is by Musica Florea, playing on period instruments and directed by Marek Štryncl, and available from the Czech radio station rozhlas.cz. Many thanks once again to those involved in the recording and the staff at the website for allowing me to use the recordings for my podcast.

From Unexpected Places

3 Comments
Arts, Music

I’ve recently heard a couple of contemporary pieces by composers who have started out in the popular forms of music rather than growing up in the classical tradition.

First up is rapper Goldie’s Sine Tempore (Timeless). Goldie was a competitor last year on the BBC show Maestro which I didn’t see, but as far as I can tell it was something like an upper-class reality show, with various celebrities competing to become a conductor. (Seriously – but apparently it was pretty good, and Goldie very good.) The piece starts off in challenging atonal soundscapes (with some very cool use of the voice), but coalesces to something grand (and tonal) before diverting into heavy, commanding rhythms.

And second is Radiohead guitarist Jonny Greenwood’s amazing Pendereckian soundscape Popcorn Superhet Receiver (in two parts). Greenwood wrote the amazing score for There Will Be Blood (probably the best film of last year), and his use of extracts from this piece and from another of his soundtracks in it cost him an Oscar nomination. For my money, he would have easily won the Oscar, too.

This piece starts, in Radiohead fashion, with a diversion – a beautiful, almost sentimental, chord in the strings almost immediately washed out in dissonance. Again, this piece generally focuses around stringy soundscapes, but an unexpected rhythmic passage about two-thirds through gives it a real drive to the finish.

Stephen Scott: Entrada – The Bowed Piano Ensemble

No Comments
Arts, Music

This little piece showed up on Twitter a few days ago and I liked it and thought I’d share it with you. The steady rhythm throughout provides a nice pulse, through which lots of deviations can be formed. It’s apparently one of those pieces that consideres music to be an aural-visual medium, but never mind that – it’s still very good.

On Pixar and Saleability

No Comments
Arts, Film

I came across an article today, essentially saying that Pixar’s films are successful, but not commercially viable enough to make theme park rides out of. This is not the first time this year that a story like concerning Pixar this has emerged: after the screening of their new film, Up, at Cannes this year, Wall Street condemned Pixar for not being more mainstream in order to fight recession.

Yes, it’s true that Pixar are a very good money-making brand, but this is surely largely due to their being the (as far as I’m concerned) only major film studio in the US to show consistent integrity and dedication to quality. Every Pixar film to date, with the possible exception of Cars, has been a masterpiece, and Pixar will be remembered for making them as fondly in sixty years as Disney are for their films of the early twentieth century. But what analysts don’t seem to realise is that it is because of Pixar’s creativity and integrity that their films are so good, and it is because they’re so good that they’re so successful. The minute they become the kind of studio that churns out attempts at box office ’smashes’, they will lose that. They will also lose the faith that their fans have in them to always make a great film. Disney, Pixar’s parent company, should know this better than anyone.

Though they regularly come under fire for it, Disney are wise to leave Pixar largely to their own devices. As long as they do so, Pixar will continue to make money for the company, and get the great PR that comes with working with a company that hasn’t yet turned out anything of inferior quality. It also means that Disney can keep hold of its claim to have produced nearly all of the great American animated films. (Apart from the amazing The Iron Giant, I cannot think of a single great American animated film to have come from any other studio.)

I must say, I am a little concerned about Pixar’s next two films: both are sequels. That said, I was wrong about Toy Story 2, and I can’t imagine Pixar would have gone ahead with Toy Story 3 or Cars 2 if they hadn’t thought they would make them good films. But the reason I love Pixar (and the animation company apparently beloved of Pixar, Hayao Miyazaki’s Studio Ghibli) is because of their ability to create new worlds, populate them, and use them to tell entertaining stories with interesting characters. It just feels to me like a shame that we won’t be seeing any new Pixar worlds for at least another couple of years.

That said, I still have Up to look forward to.

Classical Introductions Episode 7: Beethoven – Sonata No. 8 in c minor, ‘Pathétique’

No Comments
New Podcast

Episode Seven of Classical Introductions features Ludwig van Beethoven’s Piano Sonata No. 8 in c minor, also known as the ‘Pathétique’. The recording I used for this podcast can be found here.

Though composed relatively early on in his life, Beethoven’s eighth sonata already shows many features of his later style, such as grand gestures, close attention to structural detail and highly involved developments.

The recording I used in this episode was made by the early-Twentieth century virtuoso, Artur Schnabel. It has been released into the public domain, and I am once again using a recording which I discovered on the treasure trove known as the Internet Archive.

The US, The NHS and a Great Opening Sentence

No Comments
Politics, Stupidity

So it seems there is an up-side to the crazies in the US protesting against health care reform and socialised medicine (while at the same time, without any apparent irony, demanding the government not touch their Medicare), and condemning the British National Health Service as a socialised evil.

In one particularly memorable editorial, a ‘journalist’ stated that, under the British system, noted physicist Stephen Hawking would have been left for dead. The Stephen Hawking. The one who’s lived in England all his life. (Hawking’s response was that he “wouldn’t be alive today if it weren’t for the NHS”.)

British Twitter users have banded together in defence of the NHS, and this has led to the best opening sentence I have ever seen in an article (from Talking Points Memo). The full article is here, the quote is

Thanks to the advent of the Internet, news of UK’s death panels offing internationally renowned scientists has reached the people who rely on the Britain’s socialized medicine whenever they need health care. And they’re rushing to their system’s defense.